national film board of canada history


Morris, Peter and Wyndham Wise. [16] During that period, commissioner Albert Trueman, sensitive to how the Quiet Revolution was beginning to transform Quebec society, brought in Pierre Juneau as the NFB's "French Advisor". Encouraged by such series as En tant que femmes (1972-75) and Working Mothers (1974-75), and the development of Studio D under Kathleen SHANNON, women have since made significant contributions both as directors and technicians. Films; Documentary; Animation; Interactive; Education; Sign in Français Channels; History; Historically important films, and films about history. As of March 2013, the NFB devotes one quarter of its production budget to interactive media, including web documentaries. [13], In 1939 (81 years ago) (1939), the Act led to the establishment of the National Film Commission, which was subsequently renamed the National Film Board (NFB). [5] The NFB will occupy the first six floors of the building, which will allow it to have closer contact with the public, and will also feature expanded digital media research and production facilities. The round head in between then resembles a pupil, making the entire symbol appear to be an eye with legs. The creation of the National Film Board of Canada (NFB) is the central event in the history of Canadian cinema. Its films have won hundreds of international awards. At the same time, First Nations people were given access to NFB equipment to produce their own films. [177], The NFB is a minority owner of the digital television channel, Documentary in Canada. In total, the NFB has produced over 3,000 productions since its inception,[1] which have won over 5,000 awards. Candid Eye along with such NFB French-language films as Les Raquetteurs (1958) have been credited as helping to inspire the cinéma vérité documentary movement. This is the first time that NFB introduced a new logo since 2002. The NFB played a key role in both the Cinéma vérité and Direct Cinema movements, working on technical innovations to make its 16 mm synchronized sound equipment more light-weight and portable—most notably the "Sprocketape" portable sound recorder invented for the film board by Ches Beachell in 1955. A new iPad app exploring the NFB’s unique place in Canadian cinema is now available on the iTunes Canada App Store. Morris, P.,, & Wise, W., National Film Board of Canada (2015). [94], Hothouse, a program for emerging animators that marked its tenth anniversary in 2015. [73], In November 2011, the NFB and partners including the Inuit Relations Secretariat and the Government of Nunavut introduced a DVD and online collection entitled Unikkausivut: Sharing Our Stories, makes over 100 NFB films by and about Inuit available in Inuktitut and other Inuit languages, as well as English and French. Wendy Tilby and Amanda Forbes perfected the paint on glass technique (mixing oil paint with glycerine) on films such as Strings and Wild Life. The NFB has pioneered developments in social documentary, animation, documentary drama and direct cinema; and it has been a continuing initiator of new technology. Finally, in 2015, the colour green was replaced by black. This unique selection of documentaries, interactive productions, animation and more captures over 75 years of Canadian history. In 1989, the NFB won an honorary Oscar in recognition of its 50th anniversary and its record of filmmaking excellence. As of 2017, 53% of its producers and executive producers are women, as well as half of its administrative council. [18][19], In 1950, a revision of the National Film Act removed any direct government intervention into the operation and administration of the NFB. [63][64] In January 2013, it was announced that the NFB film app would be available for the BlackBerry 10, via the BlackBerry World app store. [110], As stipulated in the National Film Act of 1950, the person who holds the position of Government Film Commissioner is the head of the NFB. Check out the latest film news and links to the Bell Lightbox, the Film Reference Library, Cinematheque Ontario, Sprockets, Reel Learning, Film Circuit, Canada's Top Ten, and related features. Kanehsatake: 270 Years of Resistance, Alanis Obomsawin, provided by the National Film Board of Canada. [36], When McLaren joined the NFB, his first film at the film board was the drawn-on-film short, Mail Early. French-language production was minimal until the late 1950s when the demands of TV and the move to Montréal provided catalysts for expansion. The NFB has 10 production studios across the country. It has English-language and French-language production branches. Theodore Ushev . English-language production occurs at centres in Toronto (Ontario Centre), Vancouver (Pacific & Yukon Centre, located in the Woodward's Building), Edmonton (North West Centre), Winnipeg (Prairie Centre), and Halifax (Atlantic Centre). The creation of the National Film Board of Canada (NFB) is the central event in the history of Canadian cinema. [163] In August 2011, the NFB received an outstanding technical achievement in digital media award from the Academy of Canadian Cinema & Television. Canadian Government Motion Picture Bureau, Ladies and Gentlemen... Mr. Leonard Cohen, Category:National Film Board of Canada animated short films, IDFA DocLab Award for Digital Storytelling, Forbidden Love: The Unashamed Stories of Lesbian Lives, Canadian Museum of Contemporary Photography, Category:National Film Board of Canada people, Volcano: An Inquiry Into the Life and Death of Malcolm Lowry, The Colours of My Father: A Portrait of Sam Borenstein, The Boy Who Saw the Iceberg / Le garçon qui a vu l'iceberg, International Academy of Digital Arts and Sciences, Not a Love Story: A Film About Pornography, "Un territoire, deux districts électoraux", "L'ONF déménage dans le Quartier des spectacles à Montréal", "Digital is the future of film, television, new media, says Tom Perlmutter", "NFB's Ontario Studio gets new Toronto digs", "FEDERAL BUDGET 2016: Arts community had better spend its budget money wisely", Connected worlds: history in transnational perspective, Volume 2004, "Propaganda Cinema at the NFB – The World in Action", "Five Filmmakers in Conversation with Gerald Pratley", "National Film Board of Canada/Office national du film du Canada", "Canadian Film Policy: History of Federal Initiatives", "Challenge for Change launched, a participatory media approach to citizenship education", "Films, Tourists, and Bears in the National Parks: Managing Park Use and the Problematic 'Highway Bum' Bear", "Canada Vignettes: Essential Canadiana, eh! New Releases. [90][91] The following year, the NFB announced that it also plans to achieve gender balance by 2020 in such creative positions as editing, scriptwriting, musical composition, cinematography and artistic direction. National Film Board of CanadaWatch full-length films, clips, and trailers - all free for home viewing. [43][44] The NFB is a pioneer in interactive web documentaries, helping to position Canada as a major player in digital storytelling, according to transmedia creator Anita Ondine Smith,[45] as well as Shari Frilot, programmer for Sundance Film Festival's New Frontier program for digital media. [32], Running from 1967 to 1980, Challenge for Change and its French-language equivalent Societé Nouvelle became a global model for the use of film and portable video technology to create community-based participatory documentary films to promote dialogue on local issues and promote social change. [76] Films from the Nunavut Animation Lab include Alethea Arnaquq-Baril's 2010 digital animation short Lumaajuuq, winner of the Best Aboriginal Award at the Golden Sheaf Awards and named Best Canadian Short Drama at the imagineNATIVE Film + Media Arts Festival. The NFB is expanding the vocabulary of 21st-century cinema and breaking new ground in form and content through community filmmaking projects, cross-platform media, programs for emerging filmmakers, stereoscopic animation, and more. Claude Guilmain . Katerine Giguère . The NFB has pioneered developments in social documentary, animation, documentary drama and direct cinema; and it has been a continuing initiator of new technology. [98], As of 2015, the NFB is organized along the following branches:[99]. Sweeney's recent credits include the online interactive animation work, Bla Bla. [13], In 1940, with Canada at war, the NFB launched its Canada Carries On series of morale boosting theatrical shorts. So the NFB’s leadership at the time, headed by Commissioner Hugo McPherson, decided to remedy the situation. As of December 2014, the 16th commissioner of the NFB is Claude Joli-Coeur, who first joined the NFB in 2003 and had previously served as interim commissioner. [77], In 2005, the NFB introduced its "First Stories" program for emerging Indigenous directors from Alberta, Saskatchewan and Manitoba. This search will return films available for online viewing.. [166] In 2011, Welcome to Pine Point received two Webbys, for Documentary: Individual Episode in the Online Film & Video category and Net art in the Websites category. National Film Board of CanadaWatch full-length films, clips, and trailers - all free for home viewing. “The figure represents mankind. 2011: Annie Award for Best Animated Short Subject, 2009: Applied Arts Interactive Annual, Selected, 2009: CNMA (Canadian New Media Awards), Winner- Best Cross Platform Project, 2009: Digital Marketing Awards, Winner- Best of Show, 2009: Digital Marketing Awards, Winner-DMA Award, 2009: Hot Docs, Winner- Special Jury Prize, 2009: On Line Journalism Awards, Winner- Best Multi Media Feature Presentation, 2010: Applied Arts Interactive Annual, Selected, 2010: Applied Arts Interactive Awards, Winner – Entertainment, Arts and Tourism, 2010: Applied Arts Interactive Awards, Winner – Experimental and Artistic, 2010: Applied Arts Interactive Awards, Winner – Net Art, 2010: Applied Arts Interactive Awards, Winner – On Line Video, 2010: Applied Arts Interactive Awards, Winner – Public Service Charity, 2010: BaKaFORUM, Winner- Youth Jury Prize, 2010: CNMA (Canadian New Media Awards), Best On Line Program, 2010: CNMA (Canadian New Media Awards), Community Campaign of the Year, 2010: Communication Arts Interactive Annual, Selected, 2010: Communication Arts, Web Pick of the Week, 2010: Emmy Awards, International Digital Emmy, Non Fiction, 2010: On Line Journalism Awards, Winner- Multi Media Feature Presentation, Small Site, 2010: SXSW Interactive, Winner, Activism Category, 2011: Applied Arts Interactive Awards, Winner-Entertainment, Arts & Tourism, 2011: Banff World Television Festival, Interactive Rockie Awards, Winner- Best On Line Program – Documentary, 2011: Bellaria (Italy) Documentary Festival, Best Cross Media Doc, 2011: Communication Arts Interactive Annual, Selected, 2011: Communication Arts, Web Pick of the Day, 2012: Digi Awards (formerly Canadian New Media Awards), Best in Canadian culture, 2012: Digi Awards (formerly Canadian New Media Awards), Best in web series, non-fiction, Canadian Cultural Property Export Review Board, Public Servants Disclosure Protection Tribunal, This page was last edited on 1 November 2020, at 22:38.

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